Magnus Wennman

The head of a woman, her eyes closed, emerging from the water's surface.

This image by Canon Ambassador Magnus Wennman shows Yvette Tetteh, a Ghanaian-British activist who swam about 450km of Ghana's Volta River to bring attention to water pollution caused by the textile industry. Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 43mm, 1/800 sec, f/2 and ISO800. © Magnus Wennman

Canon Ambassador Magnus Wennman is one of Sweden's most successful photographers. He has worked in more then 80 countries, covering everything from US presidential elections to conflicts, wars and refugee crises in Africa, the Middle East and Europe.

Magnus has worked as a photojournalist since he was 17, when he began his career at the newspaper Dala-Demokraten. Since 2001, he has been employed as a photographer at Aftonbladet in Stockholm.

Magnus has been named Photographer of the Year five times, Video Journalist of the Year twice, and has received over 100 awards, including seven World Press Photo prizes across different categories. In 2017, he was named Journalist of the Year by the Red Cross.

In both 2018 and 2023, he was awarded Newspaper Photographer of the Year by POYI (Pictures of the Year International).

A young boy, wearing a helmet with a head torch, crouched down in a narrow, dimly lit tunnel.

A child working in a mica mine in Madagascar. The country is one of the largest exporters of the mineral, which is a key component in batteries for electric vehicles. Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 28mm, 1/400 sec, f/2 and ISO1600. © Magnus Wennman

A child's hand holding pieces of recently mined mica.

"We have met the children who mine mica in Madagascar," says Magnus. "And we have followed the tracks from the mine to the electric cars." Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 28mm, 1/320 sec, f/2 and ISO1600. © Magnus Wennman

Magnus has established himself as a filmmaker alongside his work as a photographer. His short film Fatima's Drawings, in which a now-safe refugee child reflects on her escape through her drawings, received several prestigious awards, including Best Digital Storytelling at Visa pour l'Image in Perpignan, France, in 2016.

He has held numerous exhibitions, the most notable being Where the Children Sleep which has been shown in 17 countries. He has also exhibited his work at the Capitol in Washington, D.C. and at the United Nations Headquarters in New York.

A young man fastening the strap of a yellow moped helmet under his chin.

To reduce Sweden's climate emissions, its government launched 48,500 electric mopeds in Ghana, but the project has been criticised for its ineffectiveness. Taken on a Canon EOS R5 Mark II with a Canon RF 28-70mm F2L USM lens at 43mm, 1/1000 sec, f/2 and ISO100. © Magnus Wennman

A man with a white horse looking at piles of plastic and sea-bleached clothes washed up on a beach.

Scraps of plastic and sea-bleached clothes washed up on the shore of a beach in Accra, Ghana. "The castoffs of the wealthy world are dumped next to a river and drift out into the ocean," says Magnus. Taken on a Canon EOS R5 Mark II with a Canon RF 28-70mm F2L USM lens at 30mm, 1/4000 sec, f/2 and ISO160. © Magnus Wennman

In 2018, he spent more than half a year working on a report about sleep for National Geographic, for which his son, Wile, featured on the cover.

In 2023, he and journalist Staffan Lindberg were awarded the Swedish Grand Prize for Journalism in the category Scoop of the Year, as well as the Guldspaden award in the major daily newspaper category, for their investigation into the dumping of used fast fashion in poor countries.

What skills does someone need to be a good photojournalist?

"For me, it's about being curious, respectful and open-minded, but above all having a love of telling stories. Being able to work in many different social settings is more important than being technically talented."


How do you deal with traumatic situations?

"I go in as a journalist and focus on what story is important to tell. For me, it's harder to sit at home and read about what's going on than to be there myself."


How do you balance the demand to 'get the shot' with being more experimental?

"Knowing when to turn the camera the other way and do something different comes with experience. I've had the privilege of working with a newspaper that has allowed me to fail sometimes, which is important."


You need to react quickly and instinctively in your work. How many cameras and lenses do you usually carry?

"Since I need to be mobile, I keep everything in one backpack. You will typically find the Canon EOS R5 Mark II with a Canon RF 28-70mm F2L USM lens, memory cards, food and drink, and maybe a small tripod and a sound recorder if I'm going to film."


How do you identify the pictures with most potential when you return from an assignment?

"I usually do the selection myself. Most often, I already know when I take the picture if it's something I'm going to use. Sometimes when I do assignments, like for National Geographic, they want to see all RAW files and be part of the selection process."


What piece of Canon kit can you not live without, and why?

"I use the Canon RF 28-70mm F2L USM for 90% of everything I shoot. It's an incredible lens that makes a huge difference, and it's the best lens I've ever owned. The combination of the shallow depth of field and exceptional sharpness makes it work equally well for both stills and video."


What else could we discover in your kitbag that helps you elevate your work?

"I love working with my old TS-E 45mm f/2.8 tilt-and-shift lens. Being able to focus manually and play around with the depth of field can create unexpected results and give the images a different, old-school feel. That's something I really like."

One thing I know

Magnus Wennman

"The internet has made the possibilities of telling stories infinite. I don't see myself purely as a newspaper photographer now, as my work involves storytelling online using still images, video and sound. Today, my Instagram account has more followers than the first newspaper I worked for. That is an amazing development, but also a great responsibility. It's important to remember that photojournalism is about telling stories in a respectful and honest way, and trying to find ways to make the world more understandable."

Instagram: @magnuswennman

Twitter: @MagnusWennman

Facebook: Magnus Wennman

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